Federico Dal Pozzo & Nikolas List & Viscera///

Viscera - Nikolas List - Fedrico Dal Pozzo

https://www.facebook.com/events/1408076985904523/

 

re:flexions
präsentiert von attenuation circuit:

FEDERICO DAL POZZO
[electroacoustic / Italien]

NIKOLAS LIST
[virtual realities / USA-Mexiko]

VISCERA///
[psychedelic post-metal / Italien]

FEDERICO DAL POZZO (Venice,1976) lives in Turin, Italy.
Concrete Composer and Musician, studied drumming with Mario Bracco and Vittorio Panza. In 1999 he joined the DADADANG (percussion parade in motion) with he has playing around the biggest festivals in Europe and beyond (Moscow, Paris, London, Graz,…).

In 2007 he graduated in “Audio Recording and Music Production“ in Recording Workshop (Chillicothe,Ohio_U.S.A.) and He studied
“WaveField Synthesis“ with Hubert Westkemper (Milan-Italy). In 2014 He studied in Corfu (GR) at “Summer Academy of Electroacoustic Music and Live Electronics” with Annette Vande
Gorne and Theodoros Lotis, and “Improvised Music in small and large Ensemble” with Carlos Zingaro (2014, Atouguia da Baleia-P). In 2016 He studied “Intuitive Music” with Markus Stockhausen (Venice-I). His works, appointed “Untitled_”, are based upon concrete objects and the transfiguration and perception of the
sound and audio- spatialization. He’s a Sound Designer in various theatre and dance companies in Italy, France, Belgium, Israel,…. He plays around Europe (Berlin, Wien, Nantes, Oslo,…) and he works in various Italian Foundations for Audio-Installations and Live Performance (Fondazione Sandretto Re Rebaudengo, Castello di Rivoli, Promotrice dell Belle Arti, The Others,…).

https://vimeo.com/230602529
https://soundcloud.com/federicodalpozzo
https://emerge.bandcamp.com/album/silent-series-ii

Nikolas List
is an American/Mexican music producer and
filmmaker currently based in Brussels. His approach to
making music draws on his cinematographic background
and his conviction that there is beauty and music in every
sound.
His live performances are designed to be unique, immersive
experiences where the listener is free to either dance, meditate
or just bask in exciting and enticing soundscapes.

http://www.nikolaslist.com/
http://www.facebook.com/nikolaslist
http://soundcloud.com/nikolaslist
http://nikolaslist.bandcamp.com/
https://emerge.bandcamp.com/album/silent-series-i

Viscera///
is a psychedelic post-metal trio based in northern Italy.
Established in 2000, the band has been experiencing the combination among the darkest sides of many underground genres like grindcore, black/death metal, ambient, drone and of course psychedelic music.
During their quite long lifetime Viscera/// have been releasing a huge amount of albums and parallel works, while playing hundreds of shows across Austria, Belgium, Croatia, Czech Republic, Estonia, France, Germany, Latvia, Lithuania, Israel, Italy, The Netherlands, Poland, Serbia, Slovenia, Spain and Switzerland.
Past and current members also generated Beta, Berlikete, Blanca Division, Formalist, Malasangre, The Drop Machine, Dyskinesia, Morkobot, Mount Piezein Circle, Self Human Combustion, Zolle and more.

https://www.facebook.com/viscera3stripes
https://www.youtube.com/watch?v=_uhjX7lh68E
https://viscera3stripes.bandcamp.com/

Freitag, 08.12.17

villa
Kanalstraße 15
86153 Augsburg

Einlass 20:00
Beginn 21:00 (pünktlich!)

Eintritt: Euro 5 + Euro 10 empfohlene Spende für die Künstler
ermässigt. (Schüler…): Euro 3

www.attenuationcircuit.de
www.emerge.bandcamp.com
https://reflexionsac.wordpress.com/
https://www.facebook.com/reflexionsac/

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XQM – Bad Girl – Petrolio

November

https://www.facebook.com/events/1689033244458858

 

re:flexions
präsentiert von attenuation circuit:

XQM
[industrial dronescape / Köln]

BAD GIRL
[avantgarde drone / Italien]

PETROLIO
[doom drone / Italien]

xqm : Klangtechnische Lehr- und Versuchsanstalt Köln

Das duo aus Köln & Koblenz erstellt freie Klangcollagen im
analog/digitalen Klanglabor.
Ein gepflegter noise floor die den geneigten Kenner und
Geniesser tief in das mediale Geschehen eintauchen lässt.

xqm wird gerne wie folgt klassifiziert : ambient, drone,
industrial, noise, experimental

xqm sind:
Manuel Schaub : Sequenzer (ULTHA,atka,End Of Silence …)
Matthias Weigand : Synthesizer (7 Minutes Of Nausea, End Of
Silence, Corium …)

https://www.facebook.com/xqmbeats
https://xqm-beats.bandcamp.com/album/session-28-2017-03-17
https://xqm-beats.bandcamp.com/

—–

Bad Girl
(based on Florence – Italy) is the solo project of Leonardo Granchi.
Started playing electronic music with the band Downward Design Research he approaches to continue the expression of their imaginary sound through the use of the machines.
The language that emerges is minimal and dark, between ambient, kraut, field recordings and soundtrack carpenter’s atmospheres.
Over time he improves the live set by placing visual and presenting the songs always like new. Numerous collaborations with italian musicians: Naresh Ran, Valerio Orlandini, Nicola Savelli, David Valecchi and other international artists including Z’ev and Sandblasting. All these nuances lead to the creation of „Cosmi“, the first official album of the project in which the radical use of true and proper instrumentation – as opposed to the more common use of computers – helps make the sound deep, really „played“ and totally non-artifact.

https://www.facebook.com/badelectricgirl/
https://badgirl69.bandcamp.com/
https://soundcloud.com/badgirl-11

—–

Petrolio was born in 2015 by Enrico Cerrato, an active music player in various genre, metal (Infection Code), industrial (Gabbiainferno) and jazz / noise / punk (Moksa).
In the Spring of 2017, Petrolio will release „Di Cosa Si Nasce“.
The album will be co-produced by DreaminGorilla Records, Dio Drone, Taxi Driver Records, Vollmer Industries, Toten Schwan Records, Screamore, E‘ un brutto posto dove vivere, Brigante Records and Edison Box.

https://www.facebook.com/petruspetrolio/
https://soundcloud.com/petrolio-246047815
https://petrolio.bandcamp.com/

Freitag, 17.11.17

villa
Kanalstraße 15
86153 Augsburg

Einlass 20:00
Beginn 21:00 (pünktlich!)

Eintritt: Euro 5 + Euro 5 empfohlene Spende für die Künstler
ermässigt. (Schüler…): Euro 3

www.attenuationcircuit.de
www.emerge.bandcamp.com
https://reflexionsac.wordpress.com/
https://www.facebook.com/reflexionsac/

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Doc Wör Mirran & Gormley/Stadlmeier & Albert Plank

DOC WÖR MIRRAN-Albert Plank-neu

https://www.facebook.com/events/362543997509497/

 

re:flexions
präsentiert von attenuation circuit:

DOC WÖR MIRRAN
[kraut-rock / Fürth]

Gormley/Stadlmeier
[improv / Berkeley-Augsburg]

Albert Plank
[chained fieldrecordings / Regensburg]

DOC WÖR MIRRAN:
Joseph B. Raimond
Stefan Schweiger
Adrian Gormley
Michael Wurzer

The actual name „Doc Wör Mirran“ was thought up by Bernard H. Worrick while he and Joseph B. Raimond lived together in San Francisco in 1982. But the real history of DWM begins when Bernard H. Worrick and Joseph B. Raimond both moved to Nürnberg Germany in 1985, where Joseph B. Raimond bought an analog 8-track recording studio and began to record what has since become a huge body of recorded work. The concept of DWM though from the very beginning was to combine music, graphic art, painting, sculpture, poetry and just about every other medium of art into one project. The open-membership policy of DWM is an important part of the DWM philosophy.In the early 1990’s, Bernard H. Worrick moved to Florida, taking with him an important part of the group’s identity. But DWM has continued onwards without Bernard. Bringing Bernard back to Germany and returning him to the DWM fold has become one of the goals of the group. Although rarely playing live, DWM is not averse to live concerts, although playing live is not one of the priorities of the group. Since the departure of Bernard, DWM has become especially interested in collaborative efforts with other artists, both recorded and live. Recent developments with DWM include the formation of a new label within MT Undertainment devoted exclusively to the recordings, literature and artwork by DWM and its various members.

http://www.dwmirran.de/
https://www.facebook.com/Doc-Wör-Mirran-1113651892007645/

https://www.youtube.com/watch?v=5YPZliNGf-A&feature=share
https://emerge.bandcamp.com/album/symphony-in-a-nnoy
https://emerge.bandcamp.com/album/mask

Gormley/Stadlmeier:
Adrian Gormley: sax
Sascha Stadlmeier: guitar, effects

Even though Adrian Gormley plays a variety of instruments including clarinet, bass clarinet, and piano, his preferred instrument for musical expression is alto sax. He has played with a variety of bands including his straight ahead jazz combo, and torchy lounge act Frenchy. He has also engaged in experimental and free improv music, playing with Doc Wor Miran, and his own project, The Ambassador Trouts, in which he fuses electronic beats and sounds with horn lines. Sometimes the horn lines are jazz melodies, and sometimes they are noisy and cacophonous.

http://www.adriangormleyjazz.com/
https://soundcloud.com/theambassadoroftrouts

https://emergeac.wordpress.com/
https://immerge.bandcamp.com/

Asiask ist Albert Plank, Initiator des kleinen Fieldrekording Festivals Regensburg und Grenzgänger zwischen Videoart, Klanginstallation und Industrial.
Den klassischen Methoden des Fieldrekordings werden Hemmungseffekte hinzugefügt. Verschiebungen in den gewohnten Lautstärkeverhältnissen, Manipulation von Zeit (timestretching) und Tonhöhe (pitchshifting) führen in abstrakte und somit innere Räume.
Die Manipulation des Materials erfolgt durch die Selektion der Aufnahmen, ihre digitale Bearbeitung und bei der Aufführung. Dabei entstehen Klangwelten von morbider Zerbrechlichkeit, meditativ ohne Süßlichkeit. Schönheit hört man an den seltsamsten Orten.
Zur Aufführung kommt die Collage: In 24 Minuten um das Ich, mit Material aus dem Asiask-Archiv, Aufnahmen vom August des Jahres 2007 und Einspielungen.

https://www.youtube.com/watch?v=whhSdTnoKME
https://www.youtube.com/watch?v=zsmy49jz15I

www.asiask.de

Samstag, 14.10.17

Provino Club
Provinostr. 35, 86153 Augsburg

Einlass: 20:00
Beginn: 21:00 (pünktlich!)

Eintritt: € 8

www.attenuationcircuit.de
www.emerge.bandcamp.com
https://www.facebook.com/reflexionsac/

Das Konzert ist Teil des Flohdular – Musik – Gestöber
https://www.facebook.com/events/847332705440361

Eintritt gilt für das Gesamt-Event

https://provinoclub.wordpress.com/
https://www.facebook.com/provinoclub

0101 (cinematic postrock / Rosenheim) – EMERGE

0101

https://www.facebook.com/events/1500335203324412/

 

re:flexions
präsentiert von attenuation circuit:

0101
[cinematic postrock – av performance / Rosenheim]

EMERGE
[drum drones / Augsburg]

0101
sind Daniel von Rüdiger und Carl. Sie vereinen Fieldrecordings mit Gitarrenloops und Sampledrums zu Cinematic Postrock. Die Kombination aus sozialdokumentarischen Aufnahmen und loopbasierter Musik nimmt die Rezipierenden mit auf eine Reise ohne in Ambient oder Drone hängen zu bleiben. Am Ende steht man wieder am Anfang, ohne zu wissen wie man dort angekommen ist.

http://www.0101.wtf/
https://vimeo.com/danielvonruediger/01011hz

Daniel von Rüdiger
ist Filmmemacher, Musiker, Fotograf und Dozent. Seine Musikvisualisierungen wurden auf internationalen Filmfestivals gezeigt und mit dem Visual Music Award ausgezeichnet. Er arbeitet als Sozialdokumentarist für verschiedene NGOs und unterrichtet an der Hochschule für Gestaltung und Kunst in Basel. Seine Arbeiten wurden unter anderem im Gropius-Bau (Berlin), Rietberg Museum (Zürich) und der Queensland Art Gallery (Brisbane) ausgestellt. Seine künstlerische Forschung im Zuge eines PhD an der Kunstuniversität Linz vergleicht visuellen und auditiven Rhythmus. Dabei vereint er seine Leidenschaften Rhythmus und Sozialdokumentation.
www.danielvonruediger.com

Carl
ist Gitarrenspieler, Mensch, Sozialarbeiter, Bürger, Veganer, Person und einiges mehr.
Als Gitarrist – Autodidakt; als Musiker – Analphabet. Sozialisiert durch Punkrock und Hardcore überwindet Carl die Grenzen musikalischer Konventionen und definiert sein Gitarrenspielen fernab eines Genres. Sein Interesse gilt alten Transistorverstärkern, analogen Effektgeräten und P-90 Pickups. Minimalistische Phrasen verdichtet Carl mittels Midibefehlen und synchronisierten Stereoloops zu monumentalen Klangteppichen.

EMERGE
new album:
https://emerge.bandcamp.com/album/narcoses

https://emergeac.wordpress.com/
https://immerge.bandcamp.com/
https://www.facebook.com/emerge.dependenz/

 

Samstag, 16.09.17

k15
Kanalstraße 15
86153 Augsburg

Einlass 20:00
Beginn 21:00 (pünktlich!)

Eintritt: Euro 5 + Euro 5 empfohlene Spende für die Künstler
ermässigt. (Schüler…): Euro 3

www.attenuationcircuit.de
www.emerge.bandcamp.com
https://www.facebook.com/reflexionsac/

—————————————————————————–

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GUS RING – SRVTR – SONOMETER

GUS RING Kopie

https://www.facebook.com/events/1372370852827454

 

re:flexions
präsentiert von attenuation circuit:

GUS RING
[acoustic dream pop / Schweden]

SRVTR
[industrial techno / Rennes]

SONOMETER
[ambient noise / Rennes-Augsburg]

Gus Ring: das ist Acoustic Dream-Pop mit psychedelischen Einflüssen. Emotional, reduziert und mit dem Anspruch etwas eigenständiges zu kreieren.
Dazu gehört es auch, die vollständige Kontrolle über das eigene Schaffen zu haben. Aus diesem Grund ist seine Musik komplett DIY. Aufgenommen, gemixt und gemastert im heimischen Studio. Die fertigen Kassetten: handbemalt!
Seine Songs sind vielfältig inspiriert und so kann man die Einflüsse seiner Leidenschaft – der Meditation – heraushören. Wenn man es auf den ersten Blick auch nicht vermuten mag, auch sein Interesse an der Hausbesetzer- sowie der Metal- und Hardcore Punk-Szene finden sich in Gus‘ Musik wieder.
Das Debut „Boredomtapes“ erschien im Juni 2014 und ist neben Bandcamp nur auf 100 handbemalten Kassetten verfügbar. Weitere Veröffentlichungen folgten im Oktober 2014 sowie im April 2015.

https://www.facebook.com/gusringsounds/
https://gusringsounds.bandcamp.com/
https://www.youtube.com/watch?v=OHu4oRRX-2E

SRVTR
In 2013, gildas brugaro began to only mix his own tracks under the name SRVTR (servator) to keep on the observatör work.
his palette goes to ambient/noise & industrial downbeat to a dark techno.
many aka or collaborations (the messenger, bunker palace, dark engineer…)

https://www.facebook.com/GildasBrugaroSRVTR/
srvtr.bandcamp.com
https://soundcloud.com/gildas-brugaro

SONOMETER
is a collaboration project of Gildas Brugaro aka SRVTR (Rennes) and Sascha Stadlmeier aka EMERGE (Augsburg).
It’s based on source sounds by SRVTR reworked by EMERGE first and then reworked by SRVTR again and so on. All further treatments used mostly the method of recycling without adding any new sounds. Apart from their current solo works, which are more in the vein of dark techno (SRVTR) and abstract musique concrète (EMERGE), SONOMETER’s music evokes dark atmospheres consistent of rough ambient noise.

https://immerge.bandcamp.com/album/sonor

Freitag, 18.08.17

k15
Kanalstraße 15
86153 Augsburg

Einlass 20:00
Beginn 21:00 (pünktlich!)

Eintritt: Euro 5 + Euro 5 empfohlene Spende für die Künstler
ermässigt. (Schüler…): Euro 3

www.attenuationcircuit.de
www.emerge.bandcamp.com
https://www.facebook.com/reflexionsac/

re:flexions / sound-art festival

festival-final Kopie

festival-pics Kopie

https://www.facebook.com/events/740086112807727/

 

re:flexions / sound-art festival 2017
präsentiert von attenuation circuit:

line-up:

Re-Drum [concrete drone / Russland]
https://emerge.bandcamp.com/album/split-16

Sterile Garden [industrial soundcollage / USA]
https://sterilegarden.bandcamp.com/album/city-lights

Acid Discharge [experimental soundscapes / Augsburg]
https://emerge.bandcamp.com/album/winds

Dabit Vocem Austria [noise concrete / Österreich]
https://emerge.bandcamp.com/album/signalwege-ep

Jesus Jackson und die grenzlandreiter [lo-fi pop / Augsburg]
https://emerge.bandcamp.com/album/wall-of-sound

Zwang-Eriksson/Kiesewetter/Stadlmeier (improv / Augsburg)
https://immerge.bandcamp.com/album/25-36-16-26

Les Horribles Travailleurs [soundpoetry / Niederlande]
https://emerge.bandcamp.com/album/untitled-6

Fall Into Dry Lungs [noise core / Österreich]
http://fallinto.drylungs.at/

Lavas/Magmas [psychedelic-industrial / USA]
https://lavasmagmas.bandcamp.com/album/invisible-migrations

Joux Joux [trap noise / München]
https://emerge.bandcamp.com/track/–13

EMERGE [musique concrète / Augsburg]
https://emerge.bandcamp.com/album/minuscule

Samstag, 22.07.17

k15
Kanalstraße 15
86153 Augsburg

Einlass 19:00
Beginn 19:30 (pünktlich!)

Eintritt: Euro 5 + Euro 10 empfohlene Spende für die Künstler
ermässigt. (Schüler…): Euro 5

—————————————————————————–

festival compilation with exclusive tracks by all participating artist for free download:

https://emerge.bandcamp.com/album/re-flexions-sound-art-festival-22-07-17

—————————————————————————–

RE-DRUM
is a project of Pavel Aleshin, experimental musician from Orel/Russia. He uses field recordings and found sounds, his own voice, acoustic instruments and non musical objects to create a living environment, oscilating from warm calmness to ritualistic depths.
During past years Re-Drum played numerous amount of gigs all over Europe, sharing stage with Tzolk’in, Ratbag, Zbignew Karkowski, Roman Nose, Rovar 17 and others.

https://soundcloud.com/re-drum-russia
https://emerge.bandcamp.com/album/eclipse
https://re-dr-um.bandcamp.com/

—–

Sterile Garden
active since 2007, has over 30 releases on labels around the globe.
This project focuses on the intersection of geographical psychology and industrial decay through the mediums of tape manipulation, field recording, incorrect electronics, and amplified metal percussion. To reinforce sound collages, we often incorporate video and performance art elements into our live performances. This year’s performance will be solo, although the group has long-range audio correspondents.

sterilegarden.bandcamp.com/music
soundcloud.com/sterile-garden
www.facebook.com/sterilegarden23/
https://vimeo.com/16000644

—–

Acid Discharge
Erosive urban musique concrète attacks pleasent ambience.
Acid Discharge extracts urban sounds and resonances and blurs the perception of recognizable noises. Field recordings, noises of old cassettes and various instruments collapse and turnaround between noise, music and chaos.

https://www.facebook.com/acid.discharge/
https://ralmicrec.bandcamp.com/album/industrial-legacies

—–

Dabit Vocem Austria
(Etched Traumas, attenuation circuit, Petroglyph Music) started first in June 2010, a half year before Mental Escape Pod was born. Vocals, Field Recordings, Noise, musique concrete, Elevator music and many other things.
You can even expect a noise-jungle or a field recording techno. Be surprised.

https://soundcloud.com/dabitvocemaustria
https://emerge.bandcamp.com/album/schl-fer

—–

Jesus Jackson und die grenzlandreiter
aus Augsburg singen schöne Lieder über das Schlechte in der Welt, wobei lokale Bezüge immer wieder eine zentrale Rolle spielen. Die Themen ihrer Songs reichen vom Untergang der Augsburger Textilindustrie bis zu Fracking, von der Gentrifizierung in Pfersee bis zu den Lebensbedingungen in Asylunterkünften. „Passion statt Perfektion“

https://emerge.bandcamp.com/album/wall-of-sound

—–

Zwang-Eriksson/Kiesewetter/Stadlmeier

Eric Zwang-Eriksson: percussion
Jan Kiesewetter: EWI
Sascha Stadlmeier: guitar, bass, contact microphones, effects

https://immerge.bandcamp.com/album/25-36-16-26

—–

Les Horribles Travailleurs
(Max Kuiper, The Netherlands) is active in the field of sound since january1982. Source of the name: ‚Lettre du Voyant, 15 mai 1871‘ by Arthur Rimbaud.

Soundcollage \ music \ soundpoetry \ installations, some of them interactive \ exhibitions with sound and visual works combined \ live performances in combination with installation and\or video \ collaborations \ remixes.
„…first the sound is heard of the knife, cutting the being from the false language…“ (lht)

leshorriblestravailleurs.bandcamp.com/music
soundcloud.com/horriblestravailleurs
www.facebook.com/LesHorriblesTravailleurs/

—–

Fall Into Dry Lungs
ist das kollaborative Projekt von Christoph F. (Dry Lungs Records / Feuersalamander auf Marzipan) und Petar S. (Fall Into Void Recs / Bruising Pattern) aus Wien. Seit 2015 spielen sie improvisierten Noisecore, ausgedrückt durch Effekt-Chains + Schlagzeug! Man hört Einflüsse aus verschiedensten Genres, beispielsweise Jazz, Grindcore, Noise, HNW, Slam und anderem. Seit Sommer 2016 wird auch an einem ersten Release auf Tape gearbeitet, welches sich durch den ausgeprägten Perfektionismus der beiden Mitglieder auch gerne etwas länger Zeit lässt.

http://fallinto.drylungs.at/

—–

Lavas Magmas
is the longest running musical project by Luis Gonzalez.
Started in 2008, LM has morphed substantially, but has always been inspired by the fragile webs that maintain our centrifugal reality, along with the lurking violence that bursts beneath our feet.

Field recordings, contact mics, sound sculptures, junk metal, magnetic tape, electronic and acoustic instrumentation have all played important roles in LM compositions.
Video is also a key element to LM, and often counterpoints the audio with visuals that change rapidly and morph in a rhythmic nausea. Luis Gonzalez is also a photographer, visual artist, and explorer of urban decay around the world.

lavasmagmas.bandcamp.com/music
soundcloud.com/lavasmagmas

—–

JOUX JOUX aka King Young Ill
Not comfortable around most people, Joux Joux tends to
seek refuge in the relative solitude of his appartment.
Neighbors keep complaining about absurd bass lines,
distorted Kickdrums and inexplicable weird noises.
Their whining goes unheard.
Joux Joux doesn´t care and doesn´t fit.

https://soundcloud.com/joux-joux/summer
https://www.youtube.com/watch?v=6xmNXlA0QCk
https://www.facebook.com/jouxjouxdrone/

—–

EMERGE
lehnt sich an die minimalistischen Traditionen des Experimentalismus und der nicht-akademischen Geräuschmusik an. Der Fokus liegt auf der Generierung von Klanggebilden, die frei interpretierbare Atmosphären an die Oberfläche holen sollen. Die Auswahl der verwendeten Klangquellen ist meist sehr eingeschränkt und die ursprünglichen Klänge selbst durch diverse Verfremdungen höchstens rudimentär erkennbar. Oft wird auch Basismaterial von diversen Künstlern/Musikern verwendet und recycelt.

https://immerge.bandcamp.com/
https://www.facebook.com/emerge.dependenz/

—————————————————————————–

www.attenuationcircuit.de
www.emerge.bandcamp.com
https://reflexionsac.wordpress.com/
https://www.facebook.com/reflexionsac/

—————————————————————————–

Du möchtest unsere Veranstaltungen auch per e-mail erhalten? Einfach kurze e-mail an dependenz@web.de

catl. & Raw C & 7697 Miles

catl- 7697 Miles - Raw C

https://www.facebook.com/events/1929585033979589

 

re:flexions
präsentiert von attenuation circuit:

catl.
[blues punk / Kanada]

7697 Miles
[electronica / Chile – Deutschland]

catl.
a rhythm and blues duo hailing from Toronto, are well known for getting people moving on the dance floor. They have independently released four full-length records to critical acclaim and are working towards releasing record number 5 this fall. They have toured extensively throughout the United States, Canada, and more recently Europe, in support of their latest release, “This Shakin’ House” (2014). catl. features Jamie Fleming bashing away on his ‘40’s Gretsch, while Sarah Kirkpatrick holds down a steady, dirty groove on the two-piece drum kit. This super-charged couple have been lauded for their intense live performances and engaging stage presence. catl. has shared the stage with Alabama Shakes, Jon Spencer Blues Explosion, The Sadies, Andre Williams and The Reigning Sound. They have played The Montreal International Jazz Festival, NXNE, SXSW, Pop Montreal, TURF, Hamilton Supercrawl, Sled Island Music Festival as well as the Deep Blues Festival in Bayport, MN, Clarksdale, MS, and Riegsee, DE.

http://catltheband.com/
https://www.facebook.com/catltheband
http://catltheband.com/album/this-shakin-house
https://www.youtube.com/watch?v=ZKRKeSAGXEQ
https://www.youtube.com/watch?v=olP59gZcN5c

Raw C, debuts in 2014 with his first EP “Ego Split”, then 2015 returns with a new album this time an LP called
“Anamorph Specimens” created in conjunction with a German musician from industrial sound, Pharmakustik.
Both albums, are edited by the label No. Created by experienced musicians and producers
Atom ™ and Material Object.
he had make remixes too with Chilean proyects like MKRNI and Dias Contados, also Mastering work for Peruvian DJ Valicha Evans.
Raw C’s international career begins in April 2016, when he travels to Berlin focused on creating new music and showing live shows. This brought presentations both in Berlin as well as Hamburg, Vienna and Barcelona.

https://soundcloud.com/raw-c

7697 Miles
project formed by Cristóbal Rawlins from Santiago, Chile and Dieter Mauson from Hamburg, Germany. Their music is mainly electronic based but also contains ambient sounds. going in to a deep in a herbal trance this trip goes from Curarrehue, in the Mapuches lands to Europe.

https://www.facebook.com/7697miles/
https://soundcloud.com/7697miles
https://youtu.be/l3_1KBKetmE

Montag, 17.07.17

k15
Kanalstraße 15
86153 Augsburg

Einlass 20:00
Beginn 21:00 (pünktlich!)

Eintritt: Euro 5 + Euro 5 empfohlene Spende für die Künstler
ermässigt. (Schüler…): Euro 3

www.attenuationcircuit.de
www.emerge.bandcamp.com
https://www.facebook.com/reflexionsac/

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Du möchtest unsere Veranstaltungen auch per e-mail erhalten? Einfach kurze e-mail an dependenz@web.de

 

Grimény – Kalinka – Narcoses

Grimény Kopie

https://www.facebook.com/events/761974597274592

re:flexions
präsentiert von attenuation circuit:

GRIMÉNY
[psychedelic post rock / Berlin]

KALINKA
[dark ambient / Ingolstadt]

NARCOSES
[abstract ambient / Augsburg]

GRIMÉNY
A band evolves out of their deepest love for letdown worship.
Permanent disappointment makes every musical particle a true ‚Enttäuschung‘.
Their music sprinkles the listeners front-side with the firmed sound of space spalling and wrung out measures, diffuse emotions and witty psyche.
The trio brings together the sprites of Nico Vetter (‚This April Scenery‘), Torsten Lang (‚Excessive Visage‘, p:hon) and Falk Meutzner (‚Lord Gecko‘).

https://www.facebook.com/grimeny/
https://grimeny.bandcamp.com/
https://www.youtube.com/watch?v=iPC_CXpHcTQ
https://www.youtube.com/watch?v=Qs4XBlKyAhE

KALINKA is a dark ambient project based in Germany.

By taking inspiration and stealing ideas from different religions , mysticism/spiritualism Kalinka tries to create its own version of a familiar but distorted complex of spirituality.

In the first album „Seeking an audience with our lady“ the listener is invited to follow along a pilgrims trail by describing seven particular events on this journey.
While using the the title of each song to set the context the track itself will hopefully paint a picture of the emotional experience of the situation.

https://www.facebook.com/kalinka.music/
https://kalinka.bandcamp.com/

NARCOSES

https://emerge.bandcamp.com/album/induced-coma
https://emerge.bandcamp.com/album/cerebral-coma

Freitag, 07.07.17

k15
Kanalstraße 15
86153 Augsburg

Einlass 20:00
Beginn 21:00 (pünktlich!)

Eintritt: Euro 5 + Euro 5 empfohlene Spende für die Künstler
ermässigt. (Schüler…): Euro 3

www.attenuationcircuit.de
www.emerge.bandcamp.com
https://reflexionsac.wordpress.com/
https://www.facebook.com/reflexionsac/

—————————————————————————–

Du möchtest unsere Veranstaltungen auch per e-mail erhalten? Einfach kurze e-mail an dependenz@web.de

SixTurnsNine & Lorenzo Abattoir

SixTurnsNine - Lorenzo Ab Kopie

https://www.facebook.com/events/194624044351034/

re:flexions
präsentiert von attenuation circuit:

SixTurnsNine
[trip-hop / Düsseldorf]

Lorenzo Abattoir
[sound-art / Turin]

 

SixTurnsNine

Step inside „Painted Clouds“ and discover the world of SixTurnsNine: Almost danceable triphop ambience, massive hypnotic bass guitars and lurid electronica carry the impressive voice of Anja Trodler. Get lost within a warm kind of spooky sweetness built around alluring chasms.
Find yourself in a house of broken mirrors where everything is in constant motion and initial impressions easily resolve in contratiction.

Bislang (01/2017) wurde die Video Single „Painted Clouds“ veröffentlicht (siehe Facbook >1.600 views bzw. Youtube). Bis Juni wird noch mindestens ein weiterer Track veröffentlicht werden (via bandcamp).
Das Live-Repertoire von SixTurnsNine umfasst aktuell 9 Tracks, die ein 50-Minutenset problemlos füllen. Proberaum-Aufnahmen können auf Anfrage gerne eingehört werden.
SixTurnsNine haben in 2015 bereits 2 Gigs gespielt; (auf dem „Kreativen Unruhe“ Festival 16.10.2015 und dem „WIU“ Festival 29.08.2015 in Düsseldorf). Die Bandmitglieder verfügen in Summe über jahrelange Bühnenerfahrung.

facebook.com/SixTurnsNine
sixturnsnine.bandcamp.com
https://www.youtube.com/watch?v=DRucPLfinzI&feature=youtu.be

—–

Lorenzo Abattoir is an italian based audio engineer, noise artist since 2008. Founder of several projects into noise scene [ Nascitari, Psicopompo ] & sound art [ Mare di Dirac, Tevet Icetone Process ].Unconventional methods of composition to generate textures & installations with use of: electroacoustic instruments, isolation from environment, mental sound’s manipulation.
His work takes shape in a context of underground extreme music to become accesible through various projects related to contemporary art.

http://lorenzoabattoir.blogspot.de/
https://www.youtube.com/watch?v=bsEk89oNu58
https://www.youtube.com/watch?v=Kunffp3Aidg

 

Freitag, 23.06.17

k15
Kanalstraße 15
86153 Augsburg

Einlass 20:00
Beginn 21:00 (pünktlich!)

Eintritt: Euro 5 + Euro 5 empfohlene Spende für die Künstler
ermässigt. (Schüler…): Euro 2

www.attenuationcircuit.de
www.emerge.bandcamp.com
https://www.facebook.com/reflexionsac/

—————————————————————————–

Du möchtest unsere Veranstaltungen auch per e-mail erhalten? Einfach kurze e-mail an dependenz@web.de

 

If, Bwana & M Schmidt & G Fiebig feat ReDrum & mёrtwaya priroda

ALL MACHINE Kopie

https://www.facebook.com/events/139752376540591/

re:flexions
präsentiert von attenuation circuit:

 

IF, BWANA
[improv / USA]

MARTYN SCHMIDT
[poetry songs / Augsburg]

mёrtwaya priroda
[abstract vocal improv / Russland-Augsburg]

GERALD FIEBIG feat. RE-DRUM
[poetry meets drone / Augsburg-Russland]

 

 

If, Bwana was begun on New Year’s Day 1984 by Al Margolis, who was an activist in the 1980s American cassette underground through his cassette label Sound of Pig Music. He co-founded experimental music label Pogus Productions, which he continues to run. If, Bwana makes music that has swung between fairly spontaneous studio constructions and more process-oriented composition.

https://www.youtube.com/watch?v=QWQlprZzW0Y&feature=youtu.be

https://ifbwana.bandcamp.com/
www.ifbwana.com
www.pogus.com

Martyn Schmidt ist Grenzgänger zwischen Sprache und Klang, zwischen Lyrik und Musik. Er ist Spoken Word Performer, Musiker und Sound Artist. Gemäß seinem poetologischen Grundsatz »Das Gedicht als Lied, der Song als Gedicht« verwebt Schmidt anspruchsvolle Sprechtexte mit filigraner Gitarrenarbeit. Schmidts Texte beweisen eindrucksvoll, dass sich Spoken-Word-Lyrik nicht in den Entertainment-Formaten erschöpft, sondern komplexe lyrische Bildwelten zu erschaffen vermag. Seit 2013 betreibt Schmidt das Sprach- & Stimmkunst-Label Atemwerft. Von 2002 bis 2004 war er Veranstalter der Augsburger Spoken Word Reihe »Speak & Spell«.

www.martynschmidt.de
https://soundcloud.com/martynschmidt/sets/poetrysongshttps://www.facebook.com/Martyn-Schmidt-242117028270/www.atemwerft.de

mёrtwaya priroda (russian: dead nature)
is a collaboration project between RE-DRUM and EMERGE.
mёrtwaya priroda explores the interaction between voice/singing and voice manipulated by effects. No other sound-sources are used. The live-improvisation takes the listener to a trip into strange spheres of the known and the unknown both alike. From the inside to the outside…from silence to noise…from safety to fallacy of being.

Gerald Fiebig (Augsburg), geb. 1973, Audiokünstler und Lyriker. Er arbeitet seit Jahren sowohl mit Text wie auch mit Klang. Die Performance seiner Texte zur Musik von Re-Drum bei dieser Veranstaltung ist eine konsequente Fortsetzung dieses Ansatzes.
www.geraldfiebig.net

RE-DRUM is a project of Pavel Aleshin, experimental musician from Russia. He uses field recordings and found sounds, his own voice, acoustic instruments and non musical objects to create a living environment, oscilating from warm calmness to ritualistic depths.

During past years Re-Drum played numerous amount of gigs all over Europe, sharing stage with Tzolk’in, Ratbag, Troum, Zbignew Karkowski, Roman Nose, Rovar 17 and others.

https://www.facebook.com/redrumrus/
https://soundcloud.com/re-drum-russia
https://www.youtube.com/watch?v=LHbeArQ5Tjo

Samstag, 27.05.17

k15
Kanalstraße 15
86153 Augsburg

Einlass 20:00
Beginn 21:00 (pünktlich!)

Eintritt: Euro 5 + Euro 5 empfohlene Spende für die Künstler
ermässigt. (Schüler…): Euro 3

www.attenuationcircuit.de
www.emerge.bandcamp.com
https://reflexionsac.wordpress.com/
https://www.facebook.com/reflexionsac/

—————————————————————————–

Du möchtest unsere Veranstaltungen auch per e-mail erhalten? Einfach kurze e-mail an dependenz@web.de