präsentiert von attenuation circuit:
DOC WÖR MIRRAN
[kraut-rock / Fürth]
[improv / Berkeley-Augsburg]
[chained fieldrecordings / Regensburg]
DOC WÖR MIRRAN:
Joseph B. Raimond
The actual name „Doc Wör Mirran“ was thought up by Bernard H. Worrick while he and Joseph B. Raimond lived together in San Francisco in 1982. But the real history of DWM begins when Bernard H. Worrick and Joseph B. Raimond both moved to Nürnberg Germany in 1985, where Joseph B. Raimond bought an analog 8-track recording studio and began to record what has since become a huge body of recorded work. The concept of DWM though from the very beginning was to combine music, graphic art, painting, sculpture, poetry and just about every other medium of art into one project. The open-membership policy of DWM is an important part of the DWM philosophy.In the early 1990’s, Bernard H. Worrick moved to Florida, taking with him an important part of the group’s identity. But DWM has continued onwards without Bernard. Bringing Bernard back to Germany and returning him to the DWM fold has become one of the goals of the group. Although rarely playing live, DWM is not averse to live concerts, although playing live is not one of the priorities of the group. Since the departure of Bernard, DWM has become especially interested in collaborative efforts with other artists, both recorded and live. Recent developments with DWM include the formation of a new label within MT Undertainment devoted exclusively to the recordings, literature and artwork by DWM and its various members.
Adrian Gormley: sax
Sascha Stadlmeier: guitar, effects
Even though Adrian Gormley plays a variety of instruments including clarinet, bass clarinet, and piano, his preferred instrument for musical expression is alto sax. He has played with a variety of bands including his straight ahead jazz combo, and torchy lounge act Frenchy. He has also engaged in experimental and free improv music, playing with Doc Wor Miran, and his own project, The Ambassador Trouts, in which he fuses electronic beats and sounds with horn lines. Sometimes the horn lines are jazz melodies, and sometimes they are noisy and cacophonous.
Asiask ist Albert Plank, Initiator des kleinen Fieldrekording Festivals Regensburg und Grenzgänger zwischen Videoart, Klanginstallation und Industrial.
Den klassischen Methoden des Fieldrekordings werden Hemmungseffekte hinzugefügt. Verschiebungen in den gewohnten Lautstärkeverhältnissen, Manipulation von Zeit (timestretching) und Tonhöhe (pitchshifting) führen in abstrakte und somit innere Räume.
Die Manipulation des Materials erfolgt durch die Selektion der Aufnahmen, ihre digitale Bearbeitung und bei der Aufführung. Dabei entstehen Klangwelten von morbider Zerbrechlichkeit, meditativ ohne Süßlichkeit. Schönheit hört man an den seltsamsten Orten.
Zur Aufführung kommt die Collage: In 24 Minuten um das Ich, mit Material aus dem Asiask-Archiv, Aufnahmen vom August des Jahres 2007 und Einspielungen.
Provinostr. 35, 86153 Augsburg
Beginn: 21:00 (pünktlich!)
Eintritt: € 8
Das Konzert ist Teil des Flohdular – Musik – Gestöber
Eintritt gilt für das Gesamt-Event