22.04.19 Bebawinigi – Das Synthetische Mischgewebe

BEBAWINIGI-DSM

https://www.facebook.com/events/496947034135526/

 

loop30 – Der Hör-Raum im Kulturhaus abraxas & attenuation circuit präsentieren

BEBAWINIGI
[singer/composer/multi-instrumentalist/psychedelic/
industrial/alternative/blues – Italien]

DAS SYNTHETISCHE MISCHGEWEBE
[electroacoustic – live soundinstallation – found sounds – experimental – Frankreich]

Montag, 22.04.19

Kulturhaus abraxas
Sommestr. 30
86156 Augsburg

Einlass 19:30
Beginn 20:00 (pünktlich!)

Eintritt: Euro 10 + freiwillige Spende
ermässigt. (Schüler…): Euro 2

BEBAWINIGI
has been called The new female Tom Waits or The young italian Diamanda Galas. Bebawinigi is an artistic and musical experimentation, expecially her use of the voice with its wide tonal properties, registers, colors and styles. Bebawinigi is the ungraceful, awkward, grotesque, silly, dramatically imperfect
being that lives within us all.

https://www.bebawinigi.com/
https://www.facebook.com/Bebawinigi-486229974757059/

https://www.youtube.com/watch?v=5MRqlFTMGVE
https://vimeo.com/133556483
https://bebawinigiproject.bandcamp.com

live videos:
https://www.youtube.com/watch?v=RGDCg_GH2NA
https://www.youtube.com/watch?v=GwhRHAS4-jU&feature=youtu.be
https://www.youtube.com/watch?v=FWmDZZ3eSUM

DAS SYNTHETISCHE MISCHGEWEBE
exists since some 30 years now with a variable membership. Formed in Berlin, the group, composed of interdisciplinary artists (visual artists, performers, musicians, writers and Engineers, Researchers) has presented performances, installations and
concerts in many European countries as well as in New York, Montreal, Sao Paulo. DSM has also participated to symposiums, given lectures, participated to several publications and had artists residencies : Association, Pollen Monflanquin/Agen; Wharf, Centre d’Art Contemporaine, Herouville St Clair; Denkmalschmiede Höfgen; Akademie der Künste Berlin.

In concerts, all sounds are produced, captured and amplified directly (basically making use of objects that aren’t meant primary to produce musical sounds : mixers, shavers, can openers and other battery powered things such as sewing machines, wires,strings, chords, alarm clocks, mechanical toys, aquarium and fountain pumps, spray cans, etc.). The listening situations created by these means are as particular as the sound world of the compositions of complex ramifications, non periodic intervals and pointillist hit and run sounds themselves. The audience can walk as pleased around the performer.
Playing on the edge between different disciplines, the audience is invited to discover a universe on the crossway of concert (between electro-acoustic and live musique concrète), sound installation, performance and even exhibition.

https://www.youtube.com/watch?v=mRetsqKW8UA
https://www.youtube.com/watch?v=SUVp64Eb_Yg
https://www.youtube.com/watch?v=Ukb3b08py_k

https://nostalgiedelaboue.bandcamp.com/album/live-at-cage100-leipzig-2012

www.abraxas.augsburg.de

www.attenuationcircuit.de
www.emerge.bandcamp.com
https://www.facebook.com/reflexionsac

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Du möchtest unsere Veranstaltungen auch per e-mail erhalten?
Einfach kurze e-mail an dependenz@web.de

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next live dates – Augsburg:

17.05.19 Kulturhaus abraxas, Augsburg:
FITCHERS VOGEL „Tausend Jahre wie ein Tag“
[Rainer Braune – Martin Hackl – Alex Höss]
https://www.facebook.com/events/343714299790531/

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15.06.19 villa, Augsburg:
MATERIALEINSCHÜCHTERUNG [elektro-akustischer impro-kraut / Offenbach]
SUPERSTOLK [zuzweitunterhalter-punk / Offenbach]
elektrojudas [downbeat ambientronix / Augsburg]
https://www.facebook.com/events/1984010088346972/

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19.07.19 Kulturhaus abraxas, Augsburg:
re:flexions / sound-art festival 2019
https://www.facebook.com/events/286219295425810/

 

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